MICHAEL JOSEPH VIERA
email: mjviera@gmail.com
phone: 438-499-6702
OBJECTIVE: To create high end moving images with the skills I have l acquired throughout my career.
EXPERIENCE:
FILMS
ScanlineVFX – Compositing Supervisor
Kong vs Godzilla | Black Widow |Midway
Joker– 2019
MPC – 2d Supervisor
Dumbo – 2018-2019
Jumanji – 2017
MPC – Lead Compositor
Ghost in th Shell – 2016
Fantastic Beasts – 2016
Suicide Squad – 2016
MPC – Sr. Compositor
X-Men: Apocalypse – 2016
Pixomondo – Lead Compositor
The 5th Wave – 2015
Fantastic Four – 2015
Pixomondo – Sr. Compositor
Lost in Hong Kong – 2015
Fast & Furious 7 – 2014-2015
Sony Pictures Entertainment – Compositor
Fury – 2014
Hammerhead Productions – Sr. Compositor
The Kitchen Sink –2014
As Above. So Below – 2014
Animal Logic – Compositor
The Great Gatsby – 2013
Blue Sky Studios – Compositor
Epic – 2012
Ice Age: Continental Drift – 2012
Identity FX – Sr. Stereo Compositor
Conan the Barbarian – 2012
Gradient Effects – Sr. Stereo Compositor
Conan the Barbarian – 2012
Sony Imageworks – Stereo Compositor TD
The Green Lantern – 2011
Stereo D – Stereo Compositor
Captain America – 201
Thor – 2011
Green Hornet – 2010
Gulliver’s Travels – 2010
Jackass 3D – 2010
EPISODIC
Pixomondo – Sr. Compositor
The Walking Dead – 2015
Agents of Shield – 2015
Sleepy Hollow – 2015
Limitless – 2015
Marco Polo – 2014
Shade VFX – Compositor
Black Sails – 2014
Zoic – Compositor
True Blood – 2013
Intelligence – 2013
Fusion CI – Compositor
Primeval New World – 2012
COMMERCIALS
King & Country – Sr. Compositor
Sears – 2013
Honda – 2013
Ford – 2013
Logan – Compositor
Northrop Grumman – 2013
Skylanders E3 – 10k delivery – 2013
Skylanders Cinema – 2013
Kellog’s To Go – 2013
Toshiba Kira – 4K delivery – 2013
Google Audi – 2013
Target – 2012
BoarderLands 2 (Director’s Cut) – 2012
Nike Oblivion – 2012
Xbox – 2012
Cricket – 2012
Microsoft – 2012
Big Block – Compositor
GMC – 2013
TRAILERS
Imaginary Forces – Compositor
Dracula Untold – 2013
Toybox Entertainment – Compositor
Alvin and the Chipmunks: Chipwrecked – 2011
Arthur Christmas – 2011
• Live action and Animation Compositing
• CG, FX, DMP, and Practical element integration
• Nuke 3d workspace (Camera proj., Particles, geo)
• Multi‐Pass layer compositing
• Green/Blue screen & tracker removal
• Look development & Templating
• Tool development and Gizmos
• Compositing Training (beginners – advanced)
• Develop scheduling with Production
• Working/communicating with clients
• Finding solutions to support VFX & CG supe
• Vendor management / Site sharing
• Colour workflow-ProdOps/Imaging
EDUCATION:
Bachelor of Science, Media Arts and Animation
The Art Institute of Philadelphia
Graduation: December, 2003
Bachelor of Science, Visual Effects and Motions Graphics
The Art Institute of Philadelphia
Graduation: March, 2010